Drawing holds a central position in Hanne Væringsaasen’s practice — not only as a traditional medium in graphite, charcoal, pastel, and ink, but as a field for pushing boundaries. Series such as The Revolt of Form reveal her experimental approach, where emotional resonance meets conceptual depth. By combining two-dimensional drawing with three-dimensional paper forms, she challenges the line between surface and structure, opening new possibilities for what drawing can be.
Explore the Galleries
Below is a curated selection of drawings and drawing-related works, organized thematically. Together, they reflect the breadth and depth of her conceptual and technical exploration, inviting the viewer to experience the interplay between idea, form, and material. (Click on the image icons to explore each series.)

“Mapping the Unseen” traces the edge between the visible and the invisible.
With delicate pencil lines and shifting forms, the series seeks to hold what constantly slips away — a visual map of what hovers just beyond our grasp.

“The Revolt of Form” pushes drawing beyond the flat surface.
Pencil and charcoal meet folded, crumpled paper, where motifs seem to wrestle with — or dissolve into — the medium itself.
Here, form resists, transforms, and speaks of both fragility and resilience.

“Tsamáda Munji” — you whisper to me — carries the quiet voice of Lule Sámi heritage.
It is the wind against my cheek, the murmur of ancestors across time — a presence that grounds my work in inherited memory while guiding its creative path forward.

Pencil and ink studies — fleeting moments on paper, where intuition meets observation.
These sketches are the quiet foundations from which larger works grow.

